September 8, 2024 I have just returned from the Fringe festival in Edinburgh where K. Lorrel Manning’s play, “Lost…Found,” performed. The theme of the fringe festival this year was “Stories That Unite Us”. Today is my husband’s birthday. For the last 38 years, The Barrow Group has been an ever-evolving …
Chris Roberti: I Don’t Know, Man
Well, The Barrow Group has invited me to write another blog and this is it. Although I think I’ve said it all in the first blog, (the contents of which I’ve completely forgotten,) I will share what’s been going on with me and maybe it will resonate with you. In …
Shannon Patterson: Want and Need
Before I had my second child, I had a pretty solid yoga practice going. My body was agile and strong. I could do a headstand for minutes, and I felt pretty good about it. After our precious baby came along, I set out to get myself back on track and …
Lee Brock: Collaboration
The Barrow Group is taking K. Lorrel Manning’s “LOST… FOUND” to Edinburgh this August with…two directors. People have asked me, “Why do you have two directors?” Well, we sometimes see things that the other doesn’t. There is sharper awareness in the room when there are four eyes and ears on …
Arielle Beth Klein: Networking as Community
In the summer of 2021, I auditioned for a short film. I loved the story, the writer/director, and the vibe in the room, but I didn’t book the part. Cut to summer 2022, when I saw that the short I auditioned for was available to watch on Vimeo. I loved …
Kate Neuman: How It Should Be
Your idea of a character is necessarily less interesting than you are, because it’s only a part of you. – Seth Barrish, many years ago. I’ve been an actor for a long time; I became a writer more recently. I’ve found that, for both, releasing my ideas of “how it …
Lee Brock: Compare and Despair
Today I had a conversation with a fantastic artist. He mentioned, “I’m having some issues with Compare and Despair.” “Why?” “I just heard a song a guy wrote, and I think it’s better than anything I’ve ever written.” “But you are so talented and have accomplished so much!” He shrugged …
Ron Piretti: The Joy is in the Work
It is important to have a goal, but so often we forget about the journey. It seems we tend to look for the final result. The joy is in the work. That is where creativity begins. We draw from what we know and those who have gone before us. We …
Lee Brock: Keep Moving Forward
It is Tuesday morning. I open the New York Times Arts section. Eli Gelb is nominated for a Tony award for his work in Stereophonic. I laugh and quietly let out a celebratory “Whoo!” sound. I’ve known Eli since he was fifteen years old. Eli took The Barrow Group’s six-week …
Michael Giese: The Garden
“All will be well in the garden.” So says the brilliant Peter Sellers’ character Chauncey “Chance” Gardiner in Hal Ashby’s 1979 film, “Being There.” I often think of this quote when asked by students how to get an agent or work with a casting director or join the union or …
Lee Brock: Be The Vessel
I’m in a scene study class. Katherine has just finished doing her monologue. Before I can get a word out, she says, “I have to work on the circumstances, and I didn’t feel very relaxed. My body was tense, and I think I should play the opposite of what the …
Stephen Singer: Staying In Class
Why am I still taking acting classes at this point in my life? After a long career edging towards 50 years? I am talking specifically about taking class at TBG, with Seth Barrish and Lee Brock, though I have trained in other techniques along the way. The following is an excerpt …
Lee Brock: Can’t
I’m teaching a ten-week monologue class. I ask everyone to bring in contemporary material, and also, of course, Shakespeare. A student, Alex, says, “I can’t do Shakespeare.” I think, “Can’t” is a strong word. It stops us from having an experience. “Can’t…” brings us to a full stop. Alex continues, …
Alyson Schacherer: That Second Go Feeling
Have you ever wanted the first go of a scene to feel more like the second go? Me too. And I’ve heard this from students in class a lot, sometimes with a bit of frustration or longing. Years ago my friend and fellow teacher Chris Wells and I were talking …
Lee Brock: Change The Sentence In Your Head
I’m teaching. Two actors finish their scene. One of them says, “That was so horrible. I wasn’t real. It was just terrible.” I pause and walk slowly to the side of the stage. “Why don’t you change the sentence in your head” “What do you mean?” “It’s just a sentence …
Martin Van Treuren: The Story of the Song
About five years ago I was approached about teaching a Musical Theatre class for The Barrow Group’s adult students. An acting class for singers and actors. It had been a while since TBG had such a class. They thought I would be a good candidate based on my years of …
Lee Brock: Surrender
I am standing on top of a ridge at thirteen thousand feet after hiking a bit with my skis on my shoulder. My son wants to start the day off with the deepest powder. I haven’t done this run in years and not with this much powder. I throw …
Arielle Beth Klein: Learning From Young Artists
Some of the most extraordinary experiences I have while teaching come when I’m leading youth classes. Young artists are a constant reminder of the importance of play, imagination, and joy. Three ideas come to mind most clearly when I think of what I’ve learned from kids about storytelling: 1. Storytelling …
Mike Giese: Small Rooms
Ask any actor and they’ll tell you that some of the best acting they’ve ever seen has not been on screen or on a stage, but in small rooms. A play reading in a living room. A scene study class in an out-of-the-way studio space. Sharing a monologue in some …
Quinn Vogt-Welch: Showing Up
I didn’t realize how someone asking me to write a blog would send me into a tailspin of identity crisis and panic about not having my own opinion about anything, let alone art. I blame this on being a fresh mom of two, where I basically live in an echo …




















