2-Week Intensives

These two-week intensives are designed for a shorter burst of intensive training. Perfect for a student who wants to dive deep to sharpen their skills.

TWO WEEK Professional Acting Intensive

with Seth Barrish

Two Weeks, 6 hours per day, $1,495
Audition Required
View Sample Syllabus 

The intensive is taught by co-artistic directors, Seth Barrish and Lee Brock and introduces students are introduced to The Barrow Group approach and tools via script analysis, scene study, and film/tv on camera work.

The intensive runs 10am – 1pm, lunch break from 1pm -2pm, and 2pm – 5pm each day.

Students must either audition or submit a video audition of a 1 to 2 minute contemporary monologue to school@barrowgroup.org to be considered for this professional level intensive.

TWO WEEK Professional Acting IntensiveDatesClose

Select a date to register

Monday, January 8, 2018
Instructor: Seth Barrish
Jan 8th - 19th, 10am - 5pm, $1,495

TWO WEEK Beginner Acting Intensive

more info coming soon…

TWO WEEK Voice for the Actor

with Robert Serrell

“Working with Robert Serrell on my voice has been an extremely inspiring process. He has helped me to discover a voice in me I’d always hoped was there and always longed to find, a voice of strength and authenticity. He guided me to let go in moments I wanted to hold on and those were the moments I found the most growth. I found Robert to be a very supportive and specific teacher. If you are looking to connect more to your power and truth and learn how to effortlessly communicate that into the world then Robert Serrell would be a coach I’d highly recommend looking into.” –Brittany Daniel, actress

Voice for the ActorDatesClose

Select a date to register

Monday, January 8, 2018
Instructor: Robert Serrell
Monday thru Friday, January 8th - 19th, 12pm-3pm, $445

In this class, students explore physical/vocal exercises designed to loosen and free the voice/body so that they can communicate with more clarity, spontaneity and power. The ultimate goal of this class is for students to have a clear understanding of a vocal warm-up that they can do on their own.

Sample Curriculum Overview
Session 1: Physical Awareness, Relaxation & Balance
Explore exercises that encourage proper spinal alignment to increase physical presence and optimize vocal use

Session 2: Breath Awareness & Support
Explore exercises that help student breath from the diaphragm rather than up in their chest, resulting in stronger, clearer sound

Session 3: Vibration Awareness
Explore exercises that bring awareness to the physical sensation of vibration in one’s body

Session 4: Vibration Building
Explore exercises that help move the voice forward, thereby making the voice more intelligible

Session 5: Freeing Inhibitory Vocal Patterns 1
Explore exercises that help open the jaw and throat

Session 6: Freeing Inhibitory Vocal Patterns 2
Explore exercises that help relax the tongue and energize the soft palette

Session 7: Resonance
Explore exercises that bring awareness to different resonating chambers in the body to increase the overall tonality of the voice

Session 8: Breath Power
Explore exercises that increase breath capacity to thereby increase volume for when communicating in large spaces

Session 9: Range
Explore exercises that increase the range of the voice, which leads to more tonal movement and musicality in the voice

Session 10: Articulation
Explore exercises to improve muscularity of lips and tongue to strengthen articulation when speaking

Voice for the Actor: Level 2

Voice for the Actor 2Dates TBA

Voice 2 picks up where Voice 1 left off.  In Voice 2 students work on developing their own 20-minute voice warm-up, which they present for feedback in class.  Students will also explore the connection between sound, movement and impulse.

TWO WEEK Personal Narrative for the Actor

with Martin Moran

As actors, our calling is to inhabit the lives and stories of others. In this two-week workshop we will investigate the power of our own urgent lives and personal lore. Exploring our human urge to stand up and tell, create a funny podcast or write an intimate essay or monologue, we will generate the seeds and begin to craft the material of our own narratives. “Know Thyself,” Socrates counseled. For the performer, this is a wise imperative. The attempt to discover and convey our own stories skillfully and to bare our souls bravely; is a way to become a better actor and, perhaps, our greatest chance to mend the world.

Join Broadway Veteran and OBIE and Lortel Award-Winning Solo performer, Martin Moran, in this two-week intensive exploring the power of personal narrative for the actor.

Personal Narrative for the ActorDatesClose

Select a date to register

Saturday, January 6, 2018
Instructor: Martin Moran
January 6th and 7th, 10am-5pm, $225


Instructor: Martin Moran

Martin Moran grew up in Denver, attended Stanford University and lives in New York City where he makes his living as an actor and writer. Most recently he completed the Off Broadway run of his one-man play, All The Rage, which received the 2013 Lucille Lortel Award and Outer Critics Circle Nomination for Outstanding Solo Show. He received an OBIE and two Drama Desk Nominations for his 2004 solo play, The Tricky Part, based upon his memoir of the same title. The Tricky Part memoir won the 2005 Lambda Non-Fiction Prize and Barnes and Noble Discover Award. As an actor, Martin’s Broadway and Off-Broadway performances include: Spamalot, Cabaret, Titanic, Bells Are Ringing, How To Succeed…, Big River; Fun Home, (Public Theater) Floyd Collins, (Playwrights Horizons) A Man of No Importance, (Lincoln Center Theater) and Cider House Rules and John Guare’s Three Kinds of Exile at The Atlantic Theater Company. He has performed in many regional theaters including La Jolla Playhouse (Puck), Long Wharf, Williamstown Theater Festival, Trinity Repertory Company and The Intiman Theater. He has also presented his solo work internationally in Poland, South Africa and Canada.

His film and television work includes guest appearances on The Newsroom; The Big C; Possible Side Affects; Private Parts; Law &Order; Law & Order Criminal Intent; Dellaventura and Mary and Rhoda. He wrote the Book and Lyrics for the 2012 “Inner Voices” solo musical, Borrowed Dust, with composer Joseph Thalken. His writing has appeared in Ploughshares and Pushcart Prize. He was awarded a fellowship at The MacDowell Colony and is a recipient of a New York Foundation for the Arts Grant for Creative Non-fiction. He is at work on his next book, Analphabet.

more info coming soon…